If you keep pelvis and straightening knee only, then the head goes up and down. Whole beat and half beat are exact point when body changes directionīounce is even, smooth, subtle and not exaggerated. Knees are not locked.īack is normal position, do not try to "stick butt out" too much. "Release": Contract back muscle (shorten the spine), pelvic pendulum back action. (do not think about "down" action, which makes it look heavy.)Ībsorb the bounce in body, head height stays about the same, should not have very big up and down changesĭo not crunch shoulder forward to try to achieve the look. When bouncing forward, it's not knee touching the wall, it is thigh touching the wall.įlex the knee, think about knee going "forward", knee slightly pass the feet. Imagine standing in front of a wall with some space in between. It's important to connect the pelvis to thigh. Soft knees, body weight more forward on front of foot.ġ: First 1/2 of the beat - going "down" (which is really a knee forward action):Ĭompress/contract tummy, pelvic pendulum forward action, tail bone down, underneath body. Upper body is quiet, but not tense/stiff. Head stays fairly flat, do not pop up and down.Ĭhest lifted (so lower body free to move), shoulder down, neck long. Bounce action happens on whole beat and "&" count. The characteristic movement of Samba is the Samba Bounce. "&" is half beat, "e" and "a" are 1/8 and 3/4 beat. Notation: Break 1 beat into 4 quarters beat (1234), it can be noted as (1 2 3 4) or (1 e & a). The chart below also shows different methods of counting. It is also possible to dance ballroom samba with flamenco, zouk, and other South American rhythms.Samba has various combinations of timings and beat values. The ballroom samba is danced under several different rhythms, including the original samba music. Thus, for three-step patterns, common step values (in beats) are: It uses several different rhythmic patterns in its figures, with cross-rhythms being a common feature. The ballroom samba is danced to music in 2Ĥ time. Also, Samba has a specific hip action, different from that in other ballroom Latin dances (Rumba and Cha-Cha-Cha). However, unlike the bouncing of, e.g., Polka, there is no considerable bobbing. This action is created through the bending and straightening of the knees, with bending occurring on the beats of 1 and 2, and the straightening occurring between. Most steps are danced with a slight downward bouncing or dropping action. Ballroom samba, even more than other ballroom dances, is very disconnected from the origins and evolution of the music and dance that gives it its name. It differs considerably from the original samba styles of Brazil in particular, it differs from Samba de Gafieira, a partner type of Samba in that country.Īs a ballroom dance, the samba is a partner dance. The international ballroom version of samba is a lively, rhythmical dance with elements from Brazilian samba. ( Learn how and when to remove this template message) ( October 2018) ( Learn how and when to remove this template message) Please do not remove this message until conditions to do so are met. Relevant discussion may be found on the talk page. The neutrality of this article is disputed.
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